Jolene: One Man Away From Poverty

-Dolly Parton-

-Dolly Parton-

Dolly Parton’s 1974 release Jolene has been covered, copied, and sung many times since. The song is a passionate plea from one woman begging another to leave her man alone. It is a story that highlights the perils of living in a patriarchal, male-dominated world.

Jolene
Jolene
Jolene
Jolene
I’m begging of you
Please don’t take my man

Many women are economically dependent on their male partners. These women may have children, and may have a difficult time supporting these children without their husband’s financial help. As former chair of the Women and Poverty Task for the National Organization for Women, Beverley McDonald says most women are still one man away from poverty. If your man leaves, you and your children will be poor. Though Parton does not have any children of her own, she understands the threat of poverty. After all, she was the fourth of twelve children growing up, and described herself as “dirt poor”.

In order to avoid poverty, many women must engage in the taxing and thankless task of keeping their man.

What does keeping a man entail?

For one, it means surrendering to the fact that one’s man is free to decide to leave at any time, that he is not committed to the relationship unless it continues on his terms, that he will never permanently decide to stay, and that you and the kids will forever be financially dependent on him.

Keeping a man means catering to him by being his f’k toy, cooking his favorite meals, cleaning his house, and satisfying him in whatever way he asks—regardless of your desires or needs.

Despite all your efforts to keep a man, you may find him desirous of straying anyway, particularly if a p-compliant woman comes along and pays some attention to him, as Jolene in the song does:

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

Jolene’s beauty and submissiveness (as evidenced by her soft voice) are the only qualities she is using to lure the subject’s man away. Hence, those qualities appear to be the ones most necessary for the subject to keep her man.

Since the subject’s man is desirous of straying, keeping him will require a change in strategy. It does not mean asking him to grow up and stop throwing his life away. In fact, keeping him does not involve holding him responsible for his desire to stray. Instead, the best strategy is to convince the woman he desires to leave him alone. She, and not he, is the only person who will be able to prevent him from leaving the subject and the kids financially destitute. As the song says:

My happiness depends on you
and whatever you decide to do, Jolene

This is what life will offer a woman who depends on a man. This is the story that the song Jolene tells– the horrors of total dependency on a man.

Because keeping her man is the only way for the subject of this song to avoid poverty and survive, she must bargain for her sustenance with another woman. Women often have to compete for men, as Jolene and the subject of this song do. When women’s energy is focused on obtaining men, and competing against one another for the crumbs that men drop, women are unable to relate to one another with true gyn/affection. This is a tragic loss for womankind.

Dolly Parton explains writing this song in this interview:

Parton says she got the story for her song from another redhead in her life at the time, a bank teller who was giving Dolly’s new husband a little more interest than he had coming.

Ms. PARTON: She got this terrible crush on my husband. And he just loved going to the bank because she paid him so much attention. It was kind of like a running joke between us when I was saying, hell, you’re spending a lot of time at the bank. I don’t believe we’ve got that kind of money. So it’s really an innocent song all around, but sounds like a dreadful one.”

Interestingly, Dolly Parton downplays the threat of the other woman in her own life. She turns it into a joke with her husband that he is being pursued by the bank teller. She places none of the agency of the flirtation on him, and she does not expect him to shun the bank teller’s advances. As she says, “it’s an innocent song all around”.

This song has been covered many times. For example, Jack White of the White Stripes covers the song here.

I experience his cover of this song as completely ignorant of its meaning. If Jack White’s man leaves, he will not be financially destitute. There is no sex-based hierarchy in the song as he sings it. His version is meaningless.

However, I do quite enjoy this version by Ellie Goulding

Feminist Friendly Culture- Potpourri Edition

As I’ve mentioned, there is a severe lack of feminist-friendly culture available. That’s why, from time to time, I’ll recommend some media that is not soaked in misogyny.

Today’s entries are from various artists. I’m not claiming that everything these artists produce is feminist-friendly. Indeed– it is difficult to find artists that meet my standards for this series. As a reminder, I’ll mention my three criteria:

1. Zero misogyny is present in the work.
2. The artist(s) is/are female.
3. Relationships with men are not the sole/main focus of the cultural offering.

Without further ado, please check out these feminist-friendly songs.

From Sarah Harmer

“Oleander” (about growing a flower)

“Lodestar” (taking the boat out at night)

“Escarpment Blues” (save the land!)

Sarah Harmer is just an overall excellent Canadian musician. I can’t say that all of her music is feminist-friendly, but I love her.

From Butterfly Boucher

“Another White Dash” (song about road-tripping away from home)

“Life is Short” (Rather cliche, but still fun)

From Jesca Hoop

“Big Fish” (about leaving town)

“Money” (about selling out- the video is kind of strange)

K T Tunstall

“Push That Knot Away” (about fighting fear)

I hope you’ve enjoyed these recommendations. Feel free to make your own in the comments section.

Feminist Friendly Culture: Mary Lou Williams

Mary Lou Williams is an amazing jazz pianist who is the latest entry into my series Feminist Friendly Culture.

(photo from here)

Occasionally, her songs do discuss relationships with men (as the jazz/blues genere she worked within frequently do). For this reason, she doesn’t 100% meet the requirements for my series (see here for the requirements). However, the bulk of her work is instrumental, so I have decided that she passes the feminist-friendly test.

This funky, toe-tapping music is perfect for background music, or for chilling out on the patio.

Her talent is tangible! As quoted by her biographer, MLW said of her own life, “I did it, didn’t I? Through muck and mud.” (Dahl, Linda. Morning Glory: A Biography of Mary Lou Williams (2001), page 379) What a great thing to be able to say about one’s own life!

I could listen to this stuff all.day.

Enjoy, ladies!

Introducing a New Series: Femininst-Friendly Culture

We are surrounded by the muck of women-hating, anti-female media, art, and culture.

From Lolita to Rolling Stone magazine to nearly every sitcom ever made– we could easily drown in it.

Women-identified women have few choices when it comes to entertainment options that are consistent with our values, and have even fewer choices that actually celebrate women-centered life.

That is why I have started this series. I’m attempting to find some women’s culture that we can harness for purposes of joyful resistance. I don’t always want to be responding to the negativity and misogyny in our culture. I want alternative positive culture of our own.

I’d like to run artists, authors, and others through the below test, and in some cases I’ll just use particular art pieces such as songs, novels, albums, etc.

I’ve got three requirements for entries into my series. As I continue, these requirements may change. But for now, they are:

1. Zero misogyny is present in the work.
2. The artist(s) is/are female.
3. Relationships with men are not the sole/main focus of the cultural offering.

Without further ado, I give you the first entry to this series:

Dar Williams

Dar Williams is a self described feminist who takes up feminist and women-centered issues through her music such as

aging in a youth-obsessed culture,

female role models,

and the strict gender constraints placed on little girls today, to name a few.

Below, find her song “Cool as I Am” with the memorable mantra: I will not be afraid of women

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